Jazz version of 'Tere Bin Nahi Lagda' releases online

As a tribute to legendary singer Nusrat Fateh Ali Khan, Jim Ankan Deka and Ritwika Bhattacharya, the musician duo from Bangalore released 'Tere Bin Nahi Lagda' online.

'Tere Bin Nahi Lagda' was originally composed by the legendary singer for the movie 'Kachche Dhaage' in late 90s and since then it became hot favourite of all Sufi lovers. While there is way no match the musical genius of the noted singer, the new composition is certainly an interesting rendition of the virtuoso's soulful melody.

Ritwika's Sufi styled vocals and Jim's incorporation of jazz elements don't simply echo Nusrat Fateh Ali Khan's original composition, but paraphases it as contemporary fusion.

'It's a humble tribute to the incredibly gifted maestro', the budding musicians said. The duo had earlier recorded the famous song 'Ganga' by Dr. Bhupen Hazarika.

The song was recorded in Eastern Fare Studio in Bangalore (Eastern Fare Music Foundation) and was released online on May 13, 2012. The song is available for streaming on Reverbnation, Youtube and iTunes.

- SpicyPR

Inner Power Of Music And Music Therapy

Music remains part and parcel of human life. It has close affinity with man’s happiness and sorrow. There is no man on earth who has never moved by the sweetness of music. Even the cruelest one also not alienated from it. In this regard I remember a story about the infamous Mussolini who was suffering from insomnia or sleeping disorder due to tension. By the same time Indian classical singer and the representative of Gwalior Gharana Pt. Omkarnath Thakur happened to visit Italy as a part of his Europe tour. Hearing his presence in Rome Mussolini invited him to his court where he presented Indian classical music. The music had a deep effect on Mussolini and led him to sleep and thus he was cured of his sleeplessness. The same singer also calmed down a roaring angry lion in the Kabul zoo by his rendition of Kaphi raga. Similar stories are found in ancient India where in the court of Akbar, Mia Tansen produced fire by Deepak raga and brought rain to extinct the fire by the perfect rendition of Mallar raga.

Today we will discuss about a new and emerging field – Music Therapy. Music therapy has already gained popularity in the western world and even very recently penetrated the Indian subcontinent. Music has a promising role in the field of medical science. Music has the inner healing power which is unique. Today the use of music in hospitals, rehabilitation centers, schools, hospices, wellness centres and even in fitness centres has gained momentum. The relationship between music and medicine has become even sweeter than before and more systematic and research oriented. This relationship can rather be compared with the length and breadth of threads in the loom.

In the modern world music therapy was implemented for the first time for the benefit of the wounded soldiers in the World War II. The system of use of music to heal body and mind with a fixed target can be termed as Music Therapy.

In India people knew about the power of music from the days immemorial. In Samaveda the rules of raga rendition are available for treatment of diseases. In Ramdas Goud’s ‘Hindutva’ (1985, pp.85) there is mention of a book named ‘Sabdkoutuhal’. The one thousand slokas consist in that book were divided into three chapters. The first chapter describes about the treatment of different diseases with the use of sound and mentioned about ‘word medicine’. The uses of different instruments were recommended for different diseases. In the third chapter, there is a description about the removal of sickness by ‘shravan’, ‘manan’ and ‘kirtan’. Another book ‘Deval Sutra’ also enlightens about the rendition of ragas to cure diseases. It has been already proved that Indian raga music has enough healing power in treating diseases. Each raga has its own healing capacity. If the singer or player has deep knowledge about the rules of raga and expertise in performing the same can have impact on the health of the receiver whether it is mental or physical. A particular raga may act differently on different persons. Therefore, it is the prime duty of a music therapist to carefully select a raga taking into account the mental state of the receiver. Narad said in the fourth chapter of ‘Sangit Makarand’----

Ayurdharmayasobuddhi dhanadhanya phalam labhet |

Ragabhivriddhi santanam purnaragah pragiyate ||

Sangramarupalavanyam viraham guna kirtanam |

Sharavena pragatavyam lakshyanam gaditam yatha ||

Vyadhinashe, shatrunashe bhaya shoka vinashane |

Vyadhi daridrya santape, vishamgraha mochane ||

Kayadambaranashe cha mangala vishasamhrite |

Audavena pragatavyam gramashantyarthakarmani ||

-means Purna Raga should be rendered for longevity, faith, fame, intelligence, wealth, prosperity and fertility. Shadav Raga should be rendered in case of struggle, beauty, sorrow and other appraisal. Audab Raga should be rendered to remove unhappiness as a result of poverty, sickness and grahadosha.

The earliest written evidence about the effect of music on human body was found in the ‘Medical Papyri’ of 1500BC where there was mention about the increase of women fertility rate with the healing effect of music. Same kind of evidences are also found in some Greek stories.(Grove’s Dictionary of Music and Musicians, 1995, p.417-418).

Today music therapy is equipped with more rules to be able to prove it as an emerging scientific area. Russian scientist Dr. Dosiel has given the following postulates on the anatomical effect of music -----

• Music effects on the blood circulation.
• Music can maximize or minimize blood pressure.
• Frequency of heart beat may vary through the application of music.
• Amplitude, magnitude and tonal structures may effect on the blood pressure and frequency rate.

Today many music therapists follow Dosiel’s Theorem.

Indian or other Oriental music has better healing power in comparison to Western music. To justify the same two music therapists Charles Keele and Angeliki did an experiment. They divided some psychiatric patients into two groups. One group was exposed to Western music like the symphonies of Bach, Motzart, etc. and the other group was exposed to different ragas of Indian Classical Music. After the experiment it was found that the group exposed to Indian music responded more positively than the other group which helped in repairing of motor skills.

Western music is more systematic based on harmony and runs on fixed notes whereas Indian music is based on melody and more liberal. Improvisation is the basic characteristic of Indian music. Though notation systems are followed adherence to the notes are not fixed like western music. Musicians have enough freedom and their area of expression is much broader. Therefore, same raga may be rendered differently by different singers despite adhering to the rules of the raga. In Western music the role of improvisation is limited. Of course, Jazz is an exception to some extent. Russian scientist and musician Dr. Bokhaniski suggests the use of musical piece of Chopin to treat insomnia. While supporting the view Dr. Yung Hunter says that it also reduces physical pain. Dr. Herbert Spencer proved that fast music helps the patients with low blood pressure and the slow music with high blood pressure. Music has also positive effect on serious and last stage patients. Music is highly useful for the children with mental retardation.

Music therapists have a broad and diverse working ground. Music therapists have connection with everyone include children, adolescents, aged or old. Further, they have a challenging job with mentally retarded, visually impaired, deaf and dumb, criminals, addicted as well as normal ones. Even music has a great role to play in the world of sports.

Music therapy is a homogeneous combination of music, psychology, anatomy, audiology, computer and mathematics. Physiotherapy and Occupational therapy will be more effective if music therapy is associated with them. Sometime art, dance, drama and poetry are also taken as medium. By now in the west dance has emerged as a separate branch of therapy called ‘Dance Movement therapy’.

Other than classical music folk and traditional music has an inbuilt therapeutic element known to man since time immemorial. Man has been expressing his mind and feeling through music. He has the expertise in using music and traditional instruments in different occasions, be it birth, death, marriage, war, production of crops or to please the rain, thunder, sun and many other lesser gods.

Today there are dearth of researchers in the field of Music in true sense which, despite its being part and parcel of human life, is left neglected, undiscovered and unresearched due to lack of recognition as a field of higher scholastic achievement rather than a mere tool of entertainment. Therefore, I would like to invite scholars from different knowledge areas to come forward and use in depth potential and power of music to strengthen human knowledge so as to enable them to use the outcome result for the greater benefit of the human population.

Today music therapy is taught up to doctoral and post doctoral level in many universities and institutions around the world. Even in India, though lately, music therapy has been given place in Apollo Hospitals, AIIMS, etc. Even Apollo Chennai has introduced a one year post graduate diploma programme in Medical Music Therapy. Some other private trusts are also simultaneously working in this field including prestigious Nordoff-Robbins Music Therapy Centres, London who has a branch in India. Among the universities Madras University experimented with some music therapy projects with positive outcomes. Today Music Therapy can rightfully be considered as a branch of alternative medicine.

-by Ankur Deka

Rongali Bihu: Heralding spring

Photo by Kangkan Hazarika

From time immemorial, Assam has had various kinds of folk songs and dances sung and played at different seasons of the year by the common folk of the countryside when festivals are held to make merriment of various kinds. Among the festivals, the new year festival is celebrated with great pomp and grandeur in the spring season when the sky is overwhelmed with the utterances of the coming of the "Bordoichila".

All classes of people, irrespective of caste, creed and religion take part in the new year spring festival. This festival in Assam is known as Rongali Bihu or Bohag Bihu. The most significant part of the spring festival is the songs and dances which are sung and played expressing delight and also the love for life, society and friendship. Young girls from the countryside sing and dance to welcome Bihu. Nature begins to bloom with new colours and a new urge for recreation. This is expressed through various rites and festivals, song and dances and merry making.

Among the seasonal festivals of Assam, the Bihus have a wider popularity. There are three Bihu festivals in Assam which mark the agricultural season. The first is celebrated at the beginning of cultivation. The second is at the time when the seeds sown begins to appear as seedling, and the third is at the time of harvesting. The Rongali Bihu or Bohaag Bihu or the spring festival is celebrated at the beginning of the period when seeds are sown in the field. Bhogali or Magh Bihu is observed at the period of harvesting of crops. Further, there is the Kati Bihu or Kongali Bihu when agricultural fields are blooming with new crops - greenish in colour at first and gradually turning into yellowish colour and the time for harvesting approaching. In Bohag there is the completion of the sowing of seeds and there is the hope of getting good returns. The returns depend on the fertility of the earth and good weather. In order to propitiate nature, men and women, young boys and girls begins to worship nature in many ways.

Photo by Vikramjit Kakati

Of the three Bihus, the Bohag Bihu is the most important ceremony. It is celebrated when the Assamese new year enters on the Chaitra Samkranti day. In such a time spring touches the naked earth - everywhere there appears new life. During Rongali Bihu, nature is enlivened with a new spirit. It takes on a new life, with new colours in the sky, and in the forests and hills. Minds of men are vibrant with joy and they come out to make merriment through dances and songs. The girls come out with traditional dresses signifying their ripeness of youth. The red Riha is the symbol of ripeness. During this period nature is gay with new urge for creation. Nature also welcomes the song birds like the cuckoos who "pour out their music". The sky is bright and blue and occasionally "rolling drum of the thunder cloud is heard". The young boys wearing typical Bihu dress with Gamocha in the head come out with drums and different kinds of flutes.

Bihu songs are typical folk-songs. The songs have deep meaning appealing to the mind. The songs are sung in the fields, by the river side and under the banyan tree. In the Bihu songs, there is the depiction of love - sweet love of man to man, love towards nature - river, forest, hills and birds.

Bohag Bihu or Rongali Bihu festival continues for seven days. The Samkranti day of Chaitra (generally April 14) is the Goru Bihu (Cow Bihu). Other Bihus are Manuh Bihu, Hat Bihu, Senehi Bihu, Maiki Bihu, Rongali Bihu and Sera Bihu. The first day of the Bihu is the Garu Bihu which is celebrated to pay respect to the cows, which are used in agriculture.

The remaining days of the Bihu are celebrated in merry making and participating in other social activities. The elders offer blessings to the younger ones. The young boys and girls pay respect to the elders offering them traditional Gamochas.

The spring festival or Rongali Bihu has come a long way since its inception when people had to depend solely on nature. Gradually changes have taken place in the celebration of the Bihu and at present it has occupied a place of social coherence, brotherhood, fellow feeling, etc. Rongali Bihu is now the most important festival, which has been accepted by all classes of people as the meeting ground of unity in diversity. Rongali Bihu has been able to bring about a new philosophy of life — to live together, to sing together and to be one.

-by Bhabananda Deka

The Kahaani of Vidya Bagchi

The kahaani of Kahaani was no mystery to me as I made my way to the theater on a Sunday evening, thanks to a thoughtless moron at work who divulged the climax a day before. Having said that, I’d be lying if I said ‘Kahaani’ didn’t have any surprises to offer.  

Vidya Bagchi, a visibly pregnant woman lands in Kolkata all the way from London in search of her missing spouse. While the pursuit of her missing husband continues, she uncovers a much larger political plot with the help of a junior cop Satyuki Sinha a.k.a Rana.

In the late 80s and early 90s there existed a trend of female characters in Bollywood – these women either took a stand against bitter and wicked in-laws or bashed up pervert crooks and extras on a revenge driven mode. That trend although filmy, liberated the women from the mundane roles society and the film industry offered and drove them to discover and unleash their potency. In the years that followed with the ascending popularity of cholis, lehengas, Munnis and Sheilas, that fervor to project women as symbol of strength diminished. The aspiration of mainstream actress incarcerated to being eye candies and arm candies. Vidya Bagchi in its outlandish way is a reprisal of that fortitude from the 80s and 90s, fortunately in a perceptibly subtle and credible avatar.

Vidya Balan
in The Dirty Picture

Vidya Balan scores a hat trick of tour de’ force performance after No One Killed Jessica and The Dirty Picture. From restlessness and helplessness to a composed demeanor, her body language emotes every bit of it effectively; and for a mainstream actress to appear onscreen with sweaty armpits, boy that sure takes guts! Parambrata Chattopadhyay is appealing as Vidya’s aid in investigation and at times adorable for his vulnerability in her presence. A strong supporting cast adds to the spontaneity of the movie.

The multihued Kolkata in the festive season of Durga Puja is well captured through the lens, while a strong script and slick editing raises the curiosity levels from the very first frame. Crisp and conversational dialogues with well-timed humor keep onlookers from snoozing which often happens in movie theaters. Although the movie has an impressive sound track, director Sujoy Ghosh fortunately uses to a minimum during the narrative. It would have been still better had he been tightfisted with the background score as well. For instance, when hundreds of people including kids and infants die inside a metro - you need a moment to let that sink in, you really don't want a heavy rock number like Aami Shatti Bolchi in the next instant.

Finally, like any well scripted movie, bread crumbs are left for the audience to connect the dots and while they are at it, the climax renders them speechless with one hell of a shocker twist.

- by Parmita Borah

Agents of Change - Women

Defying existing conventions, establishing their own, the perfect mix of nerve and grace - these women in their own subtle style changed the way the world looked at the descendants of Venus.

Mother Teresa

Agnes Gonxha Bojaxhiu was a novice nun in the early years of her training when she found her true calling. Realizing that the path to God lied not just in prayers within the walls of her convent - she replaced her traditional Loreto habit with a simple cotton sari and reached to the ones less fortunate than her on the streets of Darjeeling.

Mother Teresa, as we know her today pioneered the Missionaries of Charity, India, in 1950. For over 45 years, she ministered to the poor, sick, orphaned, and dying. Born and raised in Skopje, Mother Teresa adapted India as her own country while guiding the Missionaries of Charity's expansion, first throughout India and later in other countries.

Aung San Suu Kyi

Fifteen years of house arrest and still standing strong. She was elected as the Prime Minister of Burma the 90s, but Burmese military didn’t allow her political party National League for Democracy to join the government and forced her to remain in her house sans visitors. 

Thus began her non-violent crusade to establish democracy in her country. Despite arrests and house arrest until her most recent release on 13 November 2010, Suu Kyi managed to accumulate international support for her cause. If that got you zonked dig this- Suu Kyi was offered freedom if she left the country, but she refused.

Amelia Earhert

Amelia Earhert needs no introduction. At a time when women intellect didn’t stretch beyond maneuvering vacuum cleaners and dish washers, when being an airhostess seemed the most gratifying job for women, this female aviator from America flew a plane all by herself across the Atlantic. 

Earhert delved into an arena which predominantly belonged to men and beat them at their own game- breaking many records and showing how aircraft had moved forward. We love this feisty daredevil for her guts and sense of adventure.

Kalpana Chawla

The first Indian-born woman and the second Indian person to fly in space, Kalpana Chawla had traveled 10.4 million kms, as many as 252 times around the Earth. Chawla joined the 'Astronaut Corps” in March 1995 and was selected for her first flight in 1996. 

She spoke the following words while traveling in the weightlessness of space, "You are just your intelligence". Unfortunately she was one of seven crew members killed in the Space Shuttle Columbia disaster, but while she was alive she truly did live.

Coco Chanel

She redefined the concept of archetypal seamstress with her modernist thought, practical designs, and pursuit of expensive simplicity. Coco Chanel learnt how to sew in the orphanage that raised her and later used this skill to revolutionize the way women dressed. 

Her ‘little black dress’ and the trademark ‘Chanel suit’ that she introduced in the 1902s catapulted her to the echelons of fashion world. She was the only fashion designer to be named on 'Time 100: The Most Important People of the Century'. In addition to her contributions to fashion, Chanel was a popular figure in the Paris literary and artistic worlds.

- by Parmita Borah

Holi, the festival of merriment and recreation

It’s the ‘Festival of Colors’ that brings harmony and cheer to all. Also known as Dol Jatra or Doḷajāta, Holi is a spring festival observed by the Hindus.

This year Holi is being celebrated all across the country. People from across the globe have landed in several towns in India like Mathura, Kashi and Barsana to take part in the festival.

President Pratibha Patil, Vice-President Hamid Ansari and Prime Minister Manmohan Singh on Tuesday greeted the nation on the auspicious occasion of Holi.

"Holi is a festival of colours that heralds joy, hope and fulfilment in our lives," Patil said in her message. "Like the colours of a rainbow, that are different yet together they reflect beauty, may this festival bring together all the colours of India's diversity in a rainbow of unity," she said.

Prime Minister Manmohan Singh in his message said the "festival of colours" is a part of the country's rich and diverse cultural heritage and is associated with the celebration of brotherhood and harmony.

"Let the spontaneity and liveliness of this spring festival yet again affirm togetherness of our multi-cultural nation," Singh said.

A riot of Holi colours is one of the highlights of Queen Elizabeth's Diamond Jubilee tour that begins on Thursday from the east Midlands town of Leicester, where members of the British Indian community will present a street performance based on the festival.

Bollywood celebrates Holi this year with exuberance, though few stars like Hrithik Roshan, Shabana Azmi, Javed Akhtar and Anushka Sharma are going to miss celebrating the festival this year.

- Agency

Dr. Bhupen Hazarika to be Conferred Padma Vibhushan

Dr. Bhupen Hazarika, legendary composer and lyricist from Assam will be conferred the Padma Vibhushan, India's second highest civilian award, for his remarkable contribution to the realm of Arts.

Dr. Bhupen Hazarika (middle) with his son Tej Hazarika (right)
and grandson Sage (left)

Tej Hazarika, son of the deceased musician, has shared a press release stating that he will be accepting the honour on behalf of his father from the President of India at the Rashtrapati Bhawan, New Delhi, on March 22, 2012. The award will be brought to Assam for safekeeping in the museum dedicated to Dr. Hazarika situated at Srimanta Sankaradeva Kalakshetra (SSK) at Guwahati.

He also shared the extract of Rajya Sabha’s mourning proceedings honouring Dr. Hazarika on his demise, dated the 22nd of November, 2011.

Tej Hazarika is currently collaborating with a group of Dr. Bhupen Hazarika’s followers to establish a foundation aimed at fostering the great musician’s legacy.

- Press Release